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Visualizzazione post con etichetta Magical Realism. Mostra tutti i post
Visualizzazione post con etichetta Magical Realism. Mostra tutti i post

Paul Cadmus 1904–1999 | Magic Realist painter

American artist Paul Cadmus was a young and unknown painter in 1934, but he became famous overnight when a minor scandal erupted over his painting The Fleet's In! Its depiction of American sailors on shore leave aroused the ire of Navy officials, and it vanished for decades from the public view. That work, as well as Cadmus's subsequent images, usually featured heroically muscled young men, and he later became one of the first contemporary artists to be recognized as a chronicler of gay life. "I wasn't trying to foster gay rights," Cadmus told Howard Feinstein in the Advocate about the Fleet painting and his other efforts. "I recorded what I saw and thought and knew".
A native of New York City, Cadmus was born on December 17, 1904, and grew up on the Upper West Side, near Amsterdam Avenue and 103rd Street. Both parents were artistically gifted: his father was an commercial lithographer who created advertising images, and his mother had illustrated children's books, but the family, which included Cadmus's younger sister, Fidelma, was quite poor. He told Judd Tully in an interview conducted for the Smithsonian Institution's Archives of American Art that their apartment building was "a horrible tenement. We lived with lots of bedbugs and cockroaches". He also suffered from childhood rickets, a condition brought on by vitamin deficiency.

Paul Cadmus 1904–1999 | Magic Realist painter

Sophie Wilkins | Canadian Magic Realism painter

Drawing and painting have been part of my life since my tender childhood. A passion that became essential to me along the way. Murals and paintings are my main focus but I also explore the fields of decor, artistic make-up and illustration. Through my art, I try to represent the energy of love that should flow in a society that sometimes leaves a sour taste in my mouth. A revealing aspect of life which I explore through details that, once too often slip through our hands. A new world dances in my head where each of us becomes creators and masters of our destiny. Where light softens and time fades away. A Parallel Universe in which animals and humans share a mutual respect creating a perfect balance in order to attain Unity. Having given birth, I feel the need and the responsibility to create a world where lightness and simplicity are predominant aspects. Where strength and weakness are accepted so that my little angel may spread his wings freely. The world must evolve and its people awaken.

Sophie Wilkins | Canadian Magic Realism painter

Michael Bergt 1956 | Magic Realism painter

Michael Bergt was born in 1956 in a small Nebraska farming community. At the age of five, he decided he wanted to be an artist. When he was eight years old, his family moved to Denver. At nineteen, Michael became friends with a group of artists, Beat poets and late-night coffee drinkers in lower downtown Denver. Dividing his time between college, odd jobs and painting, his fellow artists encouraged him to "just paint". In 1978, Michael spent time in San Francisco, where he painted and eventually met the art dealer John Pence who gave him his first major one-man show in 1980.
Bergt began a correspondence with Paul Cadmus 1904-1999 in 1988. With the support of his mentor, Bergt exhibited with Cadmus at the Midtown Gallery in New York City. That exhibition began a ten-year period of New York City exhibitions for Bergt. In 1995, Bergt was accepted into the Turner Carroll Gallery in Santa Fe, New Mexico. Their sculpture garden enabled him to consistently show large-scale sculptures along with his paintings and drawings.
Michael Bergt is currently the President of the Society of Tempera Painters. He was elected a sculptor member of the National Sculpture Society in 2005. Bergt’s museum exhibitions include the Evansville Museum of Art and Science, the Kalamazoo Institute of Art and a mid-career exhibition at the Arnot Museum in Elmira, New York.

Julie Heffernan 1956 | Illinois | Magical realism

Akin to Magical Realism, Julie Heffernan's lush self-portraiture utilizes a myriad of art historical references to present a sensual interior narrative, a self-allegory whose half- hidden political agenda is the literal background of the paintings. The dark, Grimm fairy tale-like undercurrent transforms her aristocratic, operatic portraits into a contemporary vanitas or memento mori, acting as both a stylized fantasy and a Bosch-like warning. Heffernan (b.1956, Illinois) received her MFA from Yale School of Art (CT), and has been exhibiting widely for the past two decades. Selected exhibitions include those at The Korean Biennial (Korea), Weatherspoon Art Gallery (NC), Tampa Museum Of Art (FL), Knoxville Museum Of Art (TN), Columbia Museum Of Art (SC), Milwaukee Art Museum (WI), The New Museum (NY), The Norton Museum (FL), The American Academy Of Arts And Letters (NY), Kohler Arts Center (WI), The Palmer Museum Of Art (PA), National Academy Of Art (NY), Mcnay Art Museum (TX), Herter Art Gallery (MA), Mint Museum (NC) and Virginia Museum of Fine Art (VA) among numerous others.

























































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